|Church Stained Glass Windows
recorded by Robert Eberhard - updated January 2020
|Stained Glass Windows at
St Peter & St Paul|
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|EW||1861||3||Clayton & Bell||St Peter; Madonna & Child; St Paul||The Builder 9 Nov 1861|
|SC1||1861||1||Clayton & Bell||Supper at Emmaus||Hampshire Telegraph 2 Nov 1861|
|SC2||1892||2||Clayton & Bell||Patience; Fortitude||Vestry Minute 19 April 1892 Portsmouth Record Office|
|SA1||1904||3||Burlison & Grylls||Christ with the sick||Lt Col Charles Hunt||Faculty 455F/5|
|SA2||c1867||1||Clayton & Bell||Good Shepherd||Arthur Astley||Stylistic attribution|
|SA3||1909||1||James Powell & Sons||Coakes||Baptism||Faculty 455/F7;Powell Order Book 19/34|
|SAW||1909||2||James Powell & Sons||Coakes||Christ with children; Madonna & child||Faculty 455F/7;Powell Order Book 19/34|
|WW||1909||3||Percy Bacon signed||Christ in Majesty||Faculty 455F/7|
|SacristyE||1861||2||Clayton & Bell||St Augustine finding child on shore; Christ blessing children||The Builder 9 Nov 1861|
|Vestry N||1861||2||Clayton & Bell||Christ stills the waves; St Peter walks on water||Hampshire Telegraph 2 Nov 1861|
|NA1||1909||3||Percy Bacon||Angels||Faculty 455F/7|
|NA2||1861||1||Clayton & Bell||St Christopher||Hampshire Telegraph 2 Nov 1861|
|NA3||1894||1||Clayton & Bell||Angel with cross||Faculty 455F/3|
|NAW||1909||2||Percy Bacon||Confirmation; Communion||Faculty 455F/7|
Location of windows
The coding system is based on that used in Nineteenth Century Norfolk Stained Glass by Birkin Haward.
All windows are numbered consecutively from east to west in any north or south facing wall and
from the centre outwards in any east or west facing wall. Windows of 2 and 3 lancet lights
are shown as 2 and 3 light.
In the column headed date, the date (without a + sign) is the date the window was made. In that column and in the column headed Memorial a date prefixed by a + sign is the date of death commemorated in the window.
Firms / Designers
The booklet Stained Glass Marks & Monographs published by NADFAS, 8 Guilford Street, London, WC1N 1DA provides details of makers’ signatures and marks and short biographical information on many designers and firms.
A reasonably comprehensive listing of subjects is provided, except in cases where there are many small scenes or many saints, particularly if the windows are high up. For reasons of space, the title ‘Saint’ has often been omitted, most commonly in 4 evangelist windows.
Persons and events commemorated
These are mainly recorded only as a cross-reference to documentation.