Church Stained Glass Windows
recorded by Robert Eberhard - updated January 2019
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Stained Glass Windows at Good Shepherd (Preston)
Brighton, Sussex
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WindowDateLightsFirm DesignerSubjectsMemorialSource
EW19265Ward & HughesGood ShepherdStylistic attribution
SCc19272Ward & Hughes signed"See how the lilies grow"
SChEc19273Ward & Hughes signedAngel; Madonna & child; Angel
SCh1c19273Ward & Hughes signedAngel; St. Francis; Angel
SCh219273Ward & Hughes signedRaphael & angels
SChWc19272Ward & HughesAnnunciationStylistic attribution
SA21956Centre of 3Barton, Kinder & AldersonCharles KnightSt. ChristopherJohn Baldwin +1954Faculty
WW19535Barton, Kinder & AldersonCharles KnightSt. Richard of ChichesterFaculty
NCc19272Ward & HughesAngel; Christ as the VineStylistic attribution
NChN3Ward & Hughes signedSt. George & modern soldier; Priest at communion before Christ; St. Cyprian & King David
NA11962Centre of 3Barton, Kinder & AldersonCharles KnightSt. Margaret of ScotlandEna Baldwin +1961Faculty
NAW19421H. MilehamTop: Girl & lamb. Below: Madonna & childKathleen Mileham & daughterFaculty 42/6

Location of windows

The coding system is based on that used in Nineteenth Century Norfolk Stained Glass by Birkin Haward. All windows are numbered consecutively from east to west in any north or south facing wall and from the centre outwards in any east or west facing wall. Windows of 2 and 3 lancet lights are shown as 2 and 3 light.
A plan and key from the book by Birkin Haward is shown below.

Coding system plan



In the column headed date, the date (without a + sign) is the date the window was made. In that column and in the column headed Memorial a date prefixed by a + sign is the date of death commemorated in the window.

Firms / Designers

The booklet Stained Glass Marks & Monographs published by NADFAS, 8 Guilford Street, London, WC1N 1DA provides details of makers’ signatures and marks and short biographical information on many designers and firms.

Main subjects

A reasonably comprehensive listing of subjects is provided, except in cases where there are many small scenes or many saints, particularly if the windows are high up. For reasons of space, the title ‘Saint’ has often been omitted, most commonly in 4 evangelist windows.

Persons and events commemorated

These are mainly recorded only as a cross-reference to documentation.