|Church Stained Glass Windows
recorded by Robert Eberhard - updated January 2020
|Stained Glass Windows at
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|EW||1868||5||Ornamental (1 & 5);Ascension(2-4)||Rev Thomas & Annie White|
|SCAE||2009||1&2 of 3||Petri Anderson||St Peter raises Dorcas (replaces vandalised Hemming window)||Info on visit 17.10.2013|
|SCAE||+1885||3 of 3||Hemming||St. Peter raises Dorcas||Susan Richings||Stylistic attribution|
|SA2||1890||2||Hemming||Sower;Reaper||George Leach & Catling||Stylistic attribution|
|SAW||1890||3||S. Evans, West Bromwich||Raising of Lazarus||Thomas Woodman +1889||The Architect 28.3.1890|
|WW||1900||5 (top)||Hemming||Calling James, John;Jairus;St John;Mary Salome's request;Transfiguration||Thomas Woodman +1889||The Architect 28.3.1890|
|WW||1900||5 (low)||Hemming||Agony; Last Supper; Crucifixion; Calvary; St. John on Patmos||Rev Alfred Richings +1899||Stylistic attribution|
|NC||1860s||2||Heaton, Butler & Bayne||Christ blessing children||Stylistic attribution|
|NChE||1972||1||Joseph E. Nuttgens||St. John Evangelist||Canon Crewe Hamilton||Church Windows Guide|
|NCh2||1907||2||Hemming||Nativity (from boys & masters of Lockers Park)||Parish Mag. April1907|
|NA2||1917||2||Hemming||St. George; St. Alban||Henry Balderson +1916||BSMGP Directory 1930|
|NAW||1915-16||3||Hemming||St. Peter baptising Cornelius||Alfred Richings+1914||BSMGP Directory 1930|
Location of windows
The coding system is based on that used in Nineteenth Century Norfolk Stained Glass by Birkin Haward.
All windows are numbered consecutively from east to west in any north or south facing wall and
from the centre outwards in any east or west facing wall. Windows of 2 and 3 lancet lights
are shown as 2 and 3 light.
In the column headed date, the date (without a + sign) is the date the window was made. In that column and in the column headed Memorial a date prefixed by a + sign is the date of death commemorated in the window.
Firms / Designers
The booklet Stained Glass Marks & Monographs published by NADFAS, 8 Guilford Street, London, WC1N 1DA provides details of makers’ signatures and marks and short biographical information on many designers and firms.
A reasonably comprehensive listing of subjects is provided, except in cases where there are many small scenes or many saints, particularly if the windows are high up. For reasons of space, the title ‘Saint’ has often been omitted, most commonly in 4 evangelist windows.
Persons and events commemorated
These are mainly recorded only as a cross-reference to documentation.